Define ~ Base Pattern

Define ~ Base Pattern

I'd like to hear some definitions for this term, then we'll refine the definition and finally once poiple are agreed we'll add it to the Poidia.

Comments

erm..
The foundation of whatever pattern you are spinning with......

I think anyways...lol its wierd how you -know- what something is but can't describe it.....crazy man..

M-P Kid

A base pattern is a fundamental pattern rather than a move i.e. it is a style of spinning which can lead to any number of different moves.

the most fundemental pattern from which variations are derived.. in other words, when you break down a move, this is the point when you can't break it down any further

I like that Sphism/smilesmiley

Yah that sounds good. Right on Rev

Quote:
the most fundemental pattern from which variations are derived.. in other words, when you break down a move, this is the point when you can't break it down any further

Sounds nice, BUT . . . this definition itself does not help at all.

Further more: Is there anything like a point when you cant break it down any further?

And at what Point would you consider it a base pattern ?

And if you defined those: A base pattern for what ? Transitions ? Moves ? Combos ? DaFlow ?

All comes back to the mysterious "Structure of Poi" - whatever it may be . . . :2

My suggestion for Base Pattern: The Circle !

About the same topic:
http://www.spherculism.com/poiple/modules.php?name=Forums&file=viewtopic&t=205&start=0&postdays=0&postorder=asc&highlight=
http://www.spherculism.com/poiple/modules.php?name=Forums&file=viewtopic&t=267&start=60&postdays=0&postorder=asc&highlight=

It's fun to quote yourself::

Quote:
Here's my 2 cents on base patterns:

If i'm gonna teach you to do a 3 beat Weave then first thing i'm gonna do is get you to pick up 1 poi (let's assume it to be your right poi) and spin it on the right side of your body, then the left sid eof your body to get a feel for spinning in those two positions.

Then I'm gonna ask you to spin a simple BASE PATTERN, 2 spins on the left followed by 1 spin on the right.

SO you get that with both hands and then you learn to do a super sweet 3 beat weave.

Some time has passed and i'm gonna teach you to throw 1 poi underarm.

So I get you to pick up your right poi and spin backwards. Then you put your left arm across and throw your right poi under it and catch. This is ANOTHER BASE PATTERN

Now I'm doing this PATTERN ~which repeats~ and kinda looks like a 5 beat weave but at regular intervals I throw 1 poi under the opposite arm then throw the other poi Overarm, catch 1, catch 2.

So the BASE PATTERN for this 'move' (I prefer to use the word 'pattern') is a 5 beat weave. That is the basic form of the pattern, that's how come it's repeating. But i've also added in 2 more base patterns, an underarm release and an overarm release ~ This is kinda the Flavor of the pattern, and the time that I insert these 2 extra base patterns is exactly the same as when doing Fakies.

So the way I see it is this. You use a base pattern to learn a pattern (or move) and then once that pattern is SOLID, it becomes a BASE PATTERN, upon which you can build NEW patterns ~ which in turn become Base Patterns themselves. By building these up and up you can create crazy looking combos, but becasuse these crazy patterns are constructed from BASE PATTERNS you know they will be totally SOLID and reliable.

¦m¦

How i brake it down: eg 3 Beat Weave

Consider 1 poi::

Base = 3 (ie 3 circles of 1 poi before repeat)

Pattern = W = Weave (This tells us that the poi spin in the same direction)

Base Pattern = base3.Wpattern = 3W = 2 circles on the backhand >> 1 circle on the forehand (where backhand = opposite side to hand holding the poi >> forehand = same side of body)

This can also be 2 on the forehand followed by 1 on the backhand, which seems remarkably tricky but not impossible and highlights the way in which a notation like this can aid the creative exploration of 'new' patterns.

If i go bck to this example:

Quote:
Now I'm doing this PATTERN ~which repeats~ and kinda looks like a 5 beat weave but at regular intervals I throw 1 poi under the opposite arm then throw the other poi Overarm, catch 1, catch 2.

1st Base pattern:
SO i can do this very reliably and i can use it as a base pattern. Which means i can go into this pattern from many other patterns (under the leg, btb weaves, bounce wraps and so on) So now I can create a 'new' pattern from this base pattern (base for 1 poi would be 7 (5 beat weave + throw + catch) Notice that each poi has a different base pattern because 1 does an overarm throw and 1 does an overarm throw. This sorts itself out after you cross to the other side of your body.

2nd Base Pattern:
So i've practiced another base pattern where i throw 1 poi under my leg, bounce the other poi off the opposite arm (change direction), then catch the 1st poi so that it changes direction ie a half throw (or 1.5 throw if i'm feeling extravegant) Lets call this base 1.5 (each poi does one and a half circles) might be more depending on how slack i do it and i've never really thought about fractions of circles but anyhow.

Add the base patterns together (base 8.5) and repeat for hours until it's super tight.

SO that's how my mind works.

¦m¦

Sorry, I still disagree. The whole term "base pattern" cries out to me as representing something fundamental which you use as the basis of building more advanced "stuff". Not just any move you know.

If you define it like that then it's almost a meaningless term - your base pattern isn't mine and vice versa for different "stuff". So why use it? It'd be just as easy to have a list of requirements for learning something new without any confusion over moves/patterns/base patterns, like Michal Kahn's book does.

You brake it down differently, that's fine with me.

This method is the one i use for creating crazy badass patterns for freestyling.

Why does it matter if my base patterns differ from yours, that doesn't make them meaningless. Perhaps it makes my base patterns meaningless to you and your base patterns meaningless to me but nevertheless, my base patterns are the foundation of my work and enable me to progess very rapidly just as yours do for you.

Ho hum

¦m¦

That's cool... but then as I said why define them at all then?

I am not defining them (by them i assume you mean every base pattern)

I am defining it (by which i mean 'base pattern' as i use the phrase)

¦m¦

You define a base pattern as something like 3-beat weave, which I'd call a move. I'd define it as something like weave or even "split-time". In my definition base patterns are constant, in yours (I think) stuff becomes base patterns over time.

As for which one is better... *shrug* I'm not sure it's even worth defining the term at this level...

Base Pattern
a term by which people can refer to what they consider to be the basic building blocks of poi from their own personal point of view.

Now I can agree with that Sphism/gigglesmiley

Well, for my hay-penny imput.

The way I see base pattern is this, the more I think about it.

Considering the weave examples: I would not see it as a 3bt weave, but rather a 2bt. Because its the smallest you can break a weave down to, a 2 beat. A 1 beat would just be split time spinning on the regular sides, vs a weave has them following each other. Anyways, back to the point, I would see a 2bt weave as a base pattern, and all higher beat weaves as moves. So thats for the weave imo. I think this could also apply to corkscrews and windmills, since they are weaves done in differant planes thus named differantly.

Using say a butterfly example (eek): The smallest you can break any butterfly THING is , a standard, 1 beat butterfly which everyone knows, and that would be the base pattern for say a ttn, mexican wave, etc etc. Thats for same time though. I would see a split time butterfly also as a base pattern because so much builds off of split time btf like all the split time 5bt ttn stuff. I dont know if that part would hold up though because nearly every if not all moves can be done split time....but then... people still say a split time whatever vs just saying yah i'm doing this oh btw its split time ya know?

Eek... I did alot on timing...but the point of that was is I see base pattern as the smallest you can break something down to that still holds its pattern, because ttns still go in the opposite direction standardly in the wall plane thus being depending on the timing a split time or a same time butterfly but you add a slight variation making it more of a move by passing the hands through each beat.

So thats my bit Sphism/smilesmiley

-Poikid-

i agree too. yippee

Don't get me started on 'move', that's near impossible to define. IMO

¦m¦

Lol I wasnt necessarily naming a move, but rather naming what isnt a base pattern Sphism/winksmiley Atleast.. I think I was 8O

poikid:

I hear ya. but consider this:

pattern = weave

base = number of circles 1 hand completes before it repeats = 1, 2, 3, 4, 5, 6, 7...

base 2 >> 2 beat weave
base 3 >> 3 beat weave
base 4 >> 4 beat weave
base 5 >> 5 beat weave
.
.
.

¦m¦

Good good Sphism/smilesmiley

I still think that the reason having 1 hand as the base doesnt work is because poi is done with 2. And the reason why having higher beat weaves as base patterns wouldnt work, IMO, is for 1. You can still do a weave pattern with a 2 beat, thus meaning you can break down all the higher beat moves into the smallest weave which is a two beat. and 2. Because if you do it that way, then nearly all poi moves/patterns whatever we've ended up calling them are base patterns because theres 5bt ttns which means that all the below bt ttns are base patterns too which again, knocks out nearly all the other moves/patterns/errrrr

Make sense or am I just plain kooky

I understand your system - but if you talk about Butterflyweavage it wouldnt really work anymore:

Base Patterns:
Left Poi 2 Rotations on the right side - one on the left side
+
Right Poi 2 Rotations on the left side - one on the right side

Do not automatically make a Butterfly weave

OK - last Post about this topic (from me at least). I think the fact that there is so little agreement shows that we are far away from "common" base patterns. Liked Simians Def btw . . . Anyway; Im out Sphism/winksmiley

Well for one its not a system, just a definition in my opinion Sphism/gigglesmiley

But as for that, the thing remains that poi is done with 2...so I really cant see how you could name the base pattern with one poi. Just me.

And for the butterfly weavage, you can break that into the base pattern of a butterfly , and I will show how Sphism/smilesmiley

Lets take the 3bt impossible weave, which is butterfly weaving.
3bt impossible weave is done with 3bt ttns moving across the wheel plane. 3bt ttns can be broken down into 2bt ttns,and those can be broken down into a standard butterfly. The reason the base pattern would not be a weave in butterfly weavage is this. A corkscrew's base pattern is a weave, exact hand movements , the poi chase each other in a figure 8 pattern however they do not cross the body like a weave in the wheel plane would. So a corkscrew is a weave done in the ceiling/floor plane , so it has all the qualities of a weave. Poi chase, figure 8 pattern, etc etc, however as everyone knows a corkscrew doesnt cross the body. SO, I think I just looped but oh well, getting to the point

A butterfly weave does NOT chase each other, thsince they are going opposite direction, they DO cross the body but that does NOT signify it being a weave because with the example of a corkscrew weaves are not required to cross the body see? So, I know I'm looping now but maybe re-wording it could make some understand it a bit more.

3bt impossible weave. the 3bt ttn in there, moving from side to side, can be broken to a 2bt ttn moving from side to side, and down to a butterfly from side to side, but it lacks all the qualities that make it a weave, which are the poi chasing each other, making a figure 8 in the standard style but the weave base pattern does not have to cross the body because of the corkscrew who's base pattern is a weave. So the only reason its called butterfly weavage imo is because its crossing the body and the hand movements are like a weave, but if you watch the strings and break them down they are not doing a weave. And again, a weave doesnt have to cross the body as with the corkscrew, thus showing that butterfly weavage's base pattern is infact, a butterfly, not a weave or a cross between the two. Oh and also when I say the standard figure 8 style, I mean that if you were to trail the poi during a weave your mind instantly makes a figure eight, but when you look at a butterfly say going from front to btb , in technicality it makes a figure 8 but not in the same style as is the standard Sphism/smilesmiley I think if I keep going I'll just keep repeating as I feel I've done...oh well...Sphism/gigglesmiley

I do not mean to offend anyone, its just I believe very firmly in this, but it is not a system, atleast it is not what i would call my system for base patterns, but just how I've understood them Sphism/smilesmiley

-Poikid-

Ok another thing supporting both my definition and matt's

That spinning where one poi is faster than the other during a pattern, I think it's called 2 : 1 or something like that. Say your doing a weave with 2 : 1, the thing that is changed is the timing right? Well using Matt's definition it would be something like a b2 for one hand and b1 for the other hand if I understood him correctly. And so you have 2 base patterns for it. Whereas using the one that I understand, you can break the 2 down into a 1 then being a 1 : 1 thus returning it to standard weave. So thats where the one I spoke of works easily

However, I've been thinking about this and I realized theres this one kind of spinning I've been playing with lately where one hand does a certain pattern, say a weave or something and the other one is doing a dif pattern like an utl btf or something lol and by having just the right timing and the absolute right on planes you can make them work together but not making any set pattern with both hands spinning with the other which is where matt's definition would come in, finding the base pattern for each hand thus having 2 base patterns instead of the regular one which I spoke of. So right on matt, I apologize I see that mine cannot be used with it all but also your's cannot but sorry for my bigheadedness

So my thoughts are, having a name for both type of base patterns, depending on 1, what the person wants to do or 2 if it is impossible to use one of the two.

Something maybe like Single Base Pattern for using matt's which would come in during that wierd style spinning where each hand does a completely differant pattern, and then either Double Base Pattern or just normal Base pattern for all the less cooky spinning. Reason for both is because, yet again, if during those weaves you say that each hand is doing a b5 or something then it really has no need to use the Single base pattern but instead use the Double base pattern , but during that funky spinning use the single base pattern.

What do you think?? The names arent decided I was just using that as an example ye know

-Poikid-